L'opera, proveniente in tutta probabilità dal Palazzo Pazzi della Congiura in Firenze, venne scolpita per la devozione privata all'epoca dell'inizio della collaborazione con Michelozzo. Simultaneously the artist was branching out into bronze sculptures including a larger than life-size statue of St. Louis of Toulouse, and showing Donatello's amazing capacity for capturing the correct symmetry and proportions of the human figure even when hidden under lovingly carved drapes. One of Donatelloâs earliest sculptures, a statue of David, shows the influence of Ghiberti in in the soft, flowing lines. The bas relief technique gives an optical illusion of greater depth as the thickness of the marble gradually decreases to give the required perspective. Maria met kind, type 'Madonna dei pazzi', tondo, Donatello, 1386 - 1466 stucco, d 70cm More details. Daniel Katz Gallery. In around 1405 it is known that Donatello honed his skills under the tutelage of Lorenzo Ghiberti - a bronze sculptor who had become recognised for his work on the doors of the Florentine Baptistery which were in the 'relief' style of sculpture that Donatello would come to emula… Many of this works are in a bas relief style which is a shallow style of sculpture considered very innovative at the time. Follow. La Madonna di casa Pazzi è un affresco staccato (290x212 cm) di Andrea del Castagno, datato al 1443 e conservato nella Collezione Contini Bonacossi agli Uffizi di Firenze Storia. In the work of the early Renaissance sculptor Donatello (born Donato di Niccolò di Betto Bardi) life seems to burst out of the metal and stone. Color code: #7A6450 Color code: #0A0908 Color code: #958474 Color code: #B99F7E Color code: #4F4540 Color code: #2F2721. The technique which is known as schiacciato, meaning 'flattened out' involved a more shallow mode of carving creating the distinctive look to be seen in the later Pazzi Madonna. DKG. 43 3/10 × 18 1/2 in. Dating to around 1425-1430, it was probably originally produced for private devotion in the Palazzo Pazzi della Congiura in Florence at the beginning of Donatello's collaboration with Michelozzo. La Madonna Pazzi è un'opera di Donatello, conservata nel Bode-Museum di Berlino, in particolare nella collezione di sculture (Skulpturensammlung).Si tratta di un rilievo marmoreo di forma rettangolare (74,50x69,50 cm), risalente al 1425-1430 circa. La Vergine è rivolta verso destra e tiene in braccio Gesù Bambino che la abbraccia e con una mano afferra il collo della sua veste. La Madonna è raffigurata a mezzobusto col Bambino in braccio, entrambi privi di aureola. Si tratta di un rilievo marmoreo di forma rettangolare (74,50x69,50 cm), risalente al 1425-1430 circa. The earlier influences of Donatella's mentor, Ghiberti, began to be realised in Donatella's own work from 1416 onwards beginning with a marble panel of St. George Killing the Dragon which is in the Or San Michele. However, the degree of projection used can vary for different effects and is known as high relief, mid relief and low relief, or bas relief in the French. In around 1405 it is known that Donatello honed his skills under the tutelage of Lorenzo Ghiberti - a bronze sculptor who had become recognised for his work on the doors of the Florentine Baptistery which were in the 'relief' style of sculpture that Donatello would come to emulate in his later works including the Pazzi Madonna. De' Pazzi was born at Florence, Italy, on April 2, 1566, to Camillo di Geri de' Pazzi, a member of one of the wealthiest and most distinguished noble families of Renaissance Florence, and Maria Buondelmonti. La Madonna di casa Pazzi è un affresco staccato (290 x 212 cm) di Andrea del Castagno, datato al 1443 e conservato nella Collezione Contini Bonacossi agli Uffizi di Firenze. The Pazzi Madonna. Il rilievo "stiacciato" è trattato con straordinario virtuosismo, come dimostra la morbidezza così tridimensionale delle mani (in realtà spesse pochissimi millimetri), con la sinistra rappresentata in scorcio. Pioneered by Lorenzo Ghiberti in the early years of the 15th century, and developed further by his apprentice Donatello, the latter made throughout his career reliefs of the Madonna and Child in marble, terracotta and bronze. Gesù Bambino invece veste un abitino leggero che lo copre interamente. All Rights Reserved.